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1 satisfaction
noun2) no pl. (feeling of gratification) Befriedigung, die (at, with über + Akk.); Genugtuung, die (at, with über + Akk.)job satisfaction — Befriedigung in der Arbeit
what satisfaction can it give you? — was befriedigt dich daran?
meet with somebody's or give somebody [complete] satisfaction — jemanden [in jeder Weise] zufriedenstellen
to somebody's satisfaction, to the satisfaction of somebody — zu jemandes Zufriedenheit
4) (instance of gratification) Befriedigung, dieit is a great satisfaction to me that... — es erfüllt mich mit großer Befriedigung, dass...
have the satisfaction of doing something — das Vergnügen haben, etwas zu tun
* * *[-'fækʃən]1) (the act of satisfying or state of being satisfied: the satisfaction of desires.) die Befriedigung2) (pleasure or contentment: Your success gives me great satisfaction.) die Befriedigung* * *sat·is·fac·tion[ˌsætɪsˈfækʃən, AM ˌsæt̬-]n no plsb derives [or obtains] \satisfaction from [or out of] [doing] sth etw bereitet jdm [große] Befriedigung▪ to do sth to sb's \satisfaction etw zu jds Zufriedenheit tun\satisfaction guaranteed or your money back! Geld-zurück-Garantie bei Unzufriedenheit!sth has its \satisfactions etw verschafft Befriedigung▪ to be a \satisfaction [to sb] [jdm] eine Genugtuung seinto my great \satisfaction zu meiner großen Genugtuung▪ to the \satisfaction of sb zu jds Zufriedenheitto the \satisfaction of the court zur Zufriedenstellung des Gerichtsto demand \satisfaction Genugtuung fordernin \satisfaction of a claim/debt in Erfüllung eines Anspruchs/in Begleichung einer Schuldaccord and \satisfaction vergleichsweise Erfüllungmemorandum of \satisfaction Löschungsbewilligung f* * *["stIs'fkSən]n1) (= act) (of person, needs, creditors, curiosity etc) Befriedigung f; (of debt) Begleichung f, Tilgung f; (of employer etc) Zufriedenstellung f; (of ambition) Verwirklichung f; (of conditions, contract) Erfüllung f2) Zufriedenheit f (at mit)the satisfaction at or of having solved a difficult problem — die Genugtuung or das befriedigende Gefühl, ein schwieriges Problem gelöst zu haben
to feel a sense of satisfaction at sth — Genugtuung über etw (acc) empfinden
at least you have the satisfaction of seeing him pay — Sie haben wenigstens die Genugtuung, dass er zahlen muss
she would not give him the satisfaction of seeing how annoyed she was — sie wollte ihm nicht die Genugtuung geben, ihren Ärger zu sehen
he did it just for the satisfaction of seeing her suffer — er tat es nur, um sie leiden zu sehen
we hope the meal was to your complete satisfaction — wir hoffen, Sie waren mit dem Essen zufrieden or das Essen ist zu Ihrer vollen Zufriedenheit ausgefallen (form)
has it been done to your satisfaction? — sind Sie damit zufrieden?, ist es zu Ihrer Zufriedenheit erledigt worden? (form)
if anything in the hotel is not to your satisfaction —
our aim, your satisfaction — bei uns ist der Kunde König
the machine is guaranteed to give complete satisfaction —
it gives me much satisfaction to introduce... — es ist mir eine besondere Freude,... vorstellen zu können
to get satisfaction out of sth — Befriedigung in etw (dat) finden
I can't get any satisfaction — ich bin unbefriedigt
he gets satisfaction out of his job — seine Arbeit befriedigt ihn
he proved to my satisfaction that... — er hat überzeugend bewiesen, dass...
he has shown to the examiners' satisfaction that... — der Prüfungsausschuss hat befunden, dass er...
she has shown to the court's satisfaction that... — sie hat dem Gericht überzeugend dargelegt, dass...
3)(= satisfying thing)
your son's success must be a great satisfaction to you —one of her greatest satisfactions comes from her work with children — eines der Dinge, die sie am meisten befriedigt, ist ihre Arbeit mit Kindern
it is no satisfaction to me to know that... — es ist kein Trost (für mich) zu wissen, dass...
to demand/obtain satisfaction from sb — Genugtuung or Satisfaktion (old)
* * *satisfaction [ˌsætısˈfækʃn] s1. Befriedigung f, Zufriedenstellung f:find satisfaction in Befriedigung finden in (dat);give satisfaction befriedigen ( → 4)2. (at, with) Zufriedenheit f (mit), Befriedigung f, Genugtuung f (über akk):to the satisfaction of all zur Zufriedenheit aller;with satisfaction zufrieden;“satisfaction or money back” „bei Nichtgefallen Geld zurück“3. REL Sühne f4. Satisfaktion f, Genugtuung f (Duell etc):a) Befriedigung f (eines Anspruchs, eines Gläubigers)b) Erfüllung f (einer Bedingung, eines Urteils), Bezahlung f (einer Schuld):in satisfaction of zur Befriedigung etc (gen)6. Überzeugung f, Gewissheit f:show to the court’s satisfaction JUR einwandfrei glaubhaft machen* * *noun2) no pl. (feeling of gratification) Befriedigung, die (at, with über + Akk.); Genugtuung, die (at, with über + Akk.)3) no pl. (gratified state)meet with somebody's or give somebody [complete] satisfaction — jemanden [in jeder Weise] zufriedenstellen
to somebody's satisfaction, to the satisfaction of somebody — zu jemandes Zufriedenheit
4) (instance of gratification) Befriedigung, dieit is a great satisfaction to me that... — es erfüllt mich mit großer Befriedigung, dass...
have the satisfaction of doing something — das Vergnügen haben, etwas zu tun
* * *n.Befriedigung f.Genugtuung f.Zufriedenheit f. -
2 et
et [e]a. and• je n'ai rien vu, et toi ? I didn't see anything, what about you?• une belle et grande maison a beautiful, big houseb. (valeur emphatique) et ensuite ? and then?• et moi alors ? and what about me then?• et moi, je peux venir ? can I come too?• et vous osez revenir ? (indignation) and you dare to come back?• et ces livres que tu devais me prêter ? and what's happened to those books that you were supposed to lend me?• et vous, vous y allez ? and what about you, are you going?* * *econjonction andil y a expert et expert — ( ils ne se valent pas tous) there are experts and experts
et tu en es fier? — ( exprimant la désapprobation) and you're proud of it?
et moi de répondre... — so I replied...
moi j'y vais, et toi? — I'm going, are you? ou what about you?
et alors?, et après? — so what?
* * *e conjet alors?; et (puis) après? — so what?, (= ensuite) and then?
* * *et conj1 gén and; mon père et ma mère my father and mother; et lui et son frère sont alcooliques both he and his brother are alcoholics; une écharpe rouge et blanche a red and white scarf; il est grand et fort he's tall and strong; un homme grand et fort a tall strong man; une vieille femme laide et acariâtre an ugly cantankerous old woman; elle sait lire et écrire she can read and write; trois et deux (font) cinq three and two makes five; il est tombé et s'est cassé la jambe he fell and broke his leg; il n'est pas venu, et c'est aussi bien he didn't come, and it's just as well; allez chercher un docteur, et faites vite go and get a doctor, and be quick about it; et voilà qu'il sort un couteau de sa poche! and next thing he whips a knife out of his pocket!; il y a expert et expert ( ils ne se valent pas tous) there are experts and experts; et tu en es fier? ( exprimant la désapprobation) and you're proud of it?; et les enfants de rire! liter and the children laughed; et moi de répondre… liter so I replied…; et le pourboire (alors)? what about the tip?; et si on allait au cinéma? how ou what about going to the cinema?; et moi alors? what about me, then?; je ne les connais pas, et toi? I don't know them, do you?; moi j'y vais, et toi? I'm going, are you? ou what about you?; et alors?, et après? so what?; je ne l'aime pas; il est laid et d'un, il est avare et de deux I don't like him: for one thing he's ugly and for another he's stingy; elle riait et lui pleurait she was laughing and he was crying;2 ( dans les nombres) vingt et un/trente et un twenty-one/thirty-one; trois heures et quart (a) quarter past three GB, three fifteen; huit heures et demie half-past eight GB, eight thirty.[e] conjonction1. [reliant des termes, des propositions] andune belle et brillante jeune fille a beautiful, clever girltoi et moi, nous savons ce qu'il faut faire you and I know what should be doneil y a mensonge et mensonge there are lies, and then there are liesil connaît l'anglais, et très bien he speaks English, and very well at that2. [exprimant une relation de simultanéité, de succession ou de conséquence]j'ai bien aimé ce film, et toi ? I really liked the film, how ou what about you ?3. [reliant des propositions comparatives]plus ça va, et plus la situation s'aggrave as time goes on, the situation just gets worse4. [avec une valeur emphatique]et d'un, je n'ai pas faim, et de deux, je n'aime pas ça for one thing I'm not hungry and for another I don't like itj'ai dû supporter et les enfants et les parents! I had to put up with both the parents and the children ou with the parents and the children!je l'ai dit et répété I've said it over and over again, I've said it more than onceet pourtant... and yet ou still...et voilà! there you are!, there you go!5. [dans les nombres composés, les horaires, les poids et les mesures] -
3 pensare
thinkpensare a think about or ofpensare a fare qualcosa ( ricordarsi di) remember to do somethingpensare di fare qualcosa think of doing somethingche ne pensa? what do you think?cosa stai pensando? what are you thinking about?ci penso io I'll take care of itsenza pensare without thinking* * *pensare v.tr.1 to think*: lo pensavo più intelligente, I thought him a more intelligent man; pensi che verrà?, do you think he will come?; penso sia meglio rimanere, I think (that) it is better to stay; non lo pensavo possibile, I didn't think it possible; hai pensato che regalo farle?, have you thought of something to give her?; penso di no, I don't think so (o I think not); penso di sì, I think so; cosa devo pensare di questo?, what am I supposed to think about this?; non so cosa pensare di te, I don't know what to make of you; e tu cosa ne pensi? and what do you think?; cosa (ne) pensi della sua elezione?, what do you think about his election? // pensa cos'hai combinato!, just think what trouble you've caused! // pensa che soddisfazione!, just think what a satisfaction! // chi (ti) pensi di essere!, who do you think you are! // e pensare che gli volevo bene!, and just think I was in love with him!2 ( proporsi, deliberare) to think*, to decide: penso di venire, I think I'll come; ho pensato di non venire, I have decided not to come; ho pensato che partirò con te, I have made up my mind to leave with you; non ho mai pensato di farlo, I have never thought of doing it; non ho mai pensato di licenziarmi, I've never even dreamt of resigning; penso di telefonargli, I think I shall ring him up3 ( immaginare) to think*, to imagine: non avrei mai pensato di incontrarlo di nuovo, I never thought I'd meet him again; non pensavo di urtare la sua suscettibilità, I didn't think I would hurt his feelings; deve avere 40 anni, penso, he must be forty, I guess4 ( tenere in mente) to bear* in mind, to remember, to consider: dobbiamo pensare che non è più giovane, we must bear in mind (o consider) that he is no longer a young man5 ( architettare) to think* up, to invent: pensare un mezzo, un espediente, to think up a means, an expedient // una ne fa e cento ne pensa, he's always up to something // ma le pensa di notte queste cose?, (fam.) goodness knows where he gets these ideas!◆ v. intr.1 to think*; ( rivolgere il pensiero a) to think* (of s.o., sthg., of doing): l'uomo è un essere che pensa, man is a thinking being; è un caso che fa pensare, it is a case that makes you think; ho altro da pensare, I have other things on my mind; perché non pensi prima di parlare?, why don't you think before you talk?; ma non sai pensare con la tua testa?, can't you think for yourself?; a che stai pensando?, what are you thinking of?; ti penso sempre, I always think of you; pensi solo a, per te, you only think of yourself; pensa solo ai soldi, he only thinks of money; smetti di pensare al tuo lavoro, stop thinking about your work; ci penserò su, I'll think it over; dobbiamo pensare a un modo di dirglielo, we must think of a way of telling him; lasciami pensare, let me think it over; pensaci! poi fammi sapere, think it over! then let me know; dovevi pensarci prima, you should have thought of it before // dar da pensare, to give cause for anxiety: i suoi figli le danno da pensare, her children give her cause for anxiety; la sua salute mi dà da pensare, his health worries me // ha pensato bene di chiamare il medico, he thought he had better call the doctor // pensa e ripensa, mi sono ricordato il suo indirizzo, after racking my brains I remembered his address // ma ci pensi!, una vacanza al mare da soli, just think! a holiday at the seaside by ourselves // ma pensa! chi l'avrebbe detto!, goodness! who would have thought it! // non ci penso neanche!, not on your life! // lascio pensare a te, come sono rimasto!, you can imagine how I felt! // pensare tra sé e sé, to think to oneself2 ( badare) to mind (sthg.); to take* care (of s.o., sthg.), to look after (s.o., sthg.): non preoccuparti, penso io ai bambini, don't worry, I'll take care of the children // ci penso io, I'll see to it (o I'll look after it); vuoi pensare tu agli invitati?, would you see to the guests? // non ci pensare, era un po' nervoso!, don't let it bother you, he was a bit upset! // pensa alla salute!, think of your health! // pensa per te, ai fatti tuoi, mind your own business3 ( giudicare) to think*, to consider: chi pensa in un modo, chi in un altro, some people see it one way, others see it differently; tu sai come la penso, you know what I think; pensare bene di qlcu., to think well of s.o.; pensare male di qlco., qlcu., to think ill of sthg., s.o.* * *[pen'sare]1) to thinkpensare a — to think of, (amico, vacanze) to think of o about, (problema) to think about
vorrei pensarci su — I would like to think it over o give it some thought
a pensarci bene... — on second thoughts Brit o thought Am...
pensare con la propria testa — to think for o.s.
pensare bene/male di qn — to think well/badly of sb, have a good/bad opinion of sb
2)pensare a qc — to see to sth, take care of sthci penso io — I'll see to o take care of it
ha altro a cui pensare ora — he's got other o more important things to think about now
2. vt1) (gen) to thinkcosa ne pensi? — what do you think of it?, how do you feel about it?
penso che sia colpa sua — I think it is his fault o that he is to blame
ciò mi fa pensare che... — that makes me think that...
il suo comportamento farebbe pensare che... — his behaviour would lead you to suppose that..., his behaviour would make you think that...
e pensare che... — and to think that...
2) (prendere in considerazione) to realizedevi pensare che ha appena iniziato — you must realize o remember that he's only just started
non pensa che quello che fa può danneggiare gli altri — he doesn't realize that what he does may harm others
3)pensare di fare qc — to think of doing sth4) (inventare, escogitare) to think out* * *[pen'sare] 1.verbo transitivo1) (avere un'opinione) to think*non so cosa pensare di lui — I don't know what to make o think of him
dire ciò che si pensa — to say what one thinks, to speak one's mind
2) (credere) to think*, to believenon penso, penso di no — I don't think so
pensare di fare qcs. — to think o be thinking of doing sth., to intend to do sth
4) (immaginare) to think*, to imagine2.1) to think*pensare a — to think of o about [problema, offerta]
a che cosa pensi? — what are you thinking of o about?
pensa solo a se stesso, al denaro, a divertirsi — he only thinks of himself, about money, about enjoying himself
pensa a quello che ti ho detto! — (tenere a mente) remember what I told you!
mi fa pensare a mio padre — it makes me think o it reminds me of my father
3) (giudicare)pensare bene, male di qcn., qcs. — to think well, ill o badly of sb., sth
4) pensarciora che ci penso, a pensarci bene... — come to think of it...
solo a pensarci mi sento male — the mere thought makes me ill, it makes me ill just thinking about it
è semplice, bastava pensarci — it's easy, it just required some thinking
pensandoci meglio... — on second thoughts...
ci penso io! — I'll see about o to it! I'll arrange it!
5) pensarlala penso come te — I think the same as you, I am of the same mind
••e pensare che... — and to think that...
pensa e ripensa — after long thought, after much racking of one's brains
* * *pensare/pen'sare/ [1]1 (avere un'opinione) to think*; che ne pensi? what do you think of it? non so cosa pensare di lui I don't know what to make o think of him; dire ciò che si pensa to say what one thinks, to speak one's mind2 (credere) to think*, to believe; penso che abbia ragione I think (that) he's right; penso di sì I think so; non penso, penso di no I don't think so; penso di avere fatto un buon lavoro I think I did a good job; non è così stupido come si pensa he's not as stupid as people think (he is); tutto fa pensare che there's every indication that3 (avere l'intenzione di) pensare di fare qcs. to think o be thinking of doing sth., to intend to do sth.4 (immaginare) to think*, to imagine; pensa cosa potrebbe succedere! just think what might happen! pensa che si è ricordata il mio nome! fancy her remembering my name! ma pensa un po'! fancy that!(aus. avere)1 to think*; pensare a to think of o about [problema, offerta]; a che cosa pensi? what are you thinking of o about? ti penso giorno e notte I think about you day and night; non posso pensare a tutto I can't think of everything; pensa solo a se stesso, al denaro, a divertirsi he only thinks of himself, about money, about enjoying himself; pensa a quello che ti ho detto! (tenere a mente) remember what I told you! mi fa pensare a mio padre it makes me think o it reminds me of my father; pensa agli affari tuoi! mind your own business!2 (prendersi cura di) penserò io ai bambini I'll look after the children4 pensarci ora che ci penso, a pensarci bene... come to think of it...; solo a pensarci mi sento male the mere thought makes me ill, it makes me ill just thinking about it; è semplice, bastava pensarci it's easy, it just required some thinking; non pensarci neanche! don't even think about it! pensandoci meglio... on second thoughts...; ci penserò (su) I'll think about it; pensaci bene! think twice about it! think it over! ci penso io! I'll see about o to it! I'll arrange it! non pensiamoci più! let's forget about it! non ci avevo neanche pensato it hadn't even occurred to me; non ci penso proprio! nothing could be further from my mind! no way am I doing that!5 pensarla la penso come te I think the same as you, I am of the same mind; le ho detto come la penso I gave her a piece of my minduna ne fa e cento ne pensa he is always up to something; dare da pensare to worry; è una faccenda che dà da pensare the whole affair sets you thinking; e pensare che... and to think that...; pensa e ripensa after long thought, after much racking of one's brains; pensa alla salute! don't worry! -
4 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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